We found that one of the best guides in Xian was a very nice
lady named Lee or Li Zirui. Lee works for xi'an china international travel
service and if you
wish to get a hold of her at happyapple2008@126.com
. She also has a site at Xian Tours go
that a look.

HERE ARE A FEW OF THE SITES WE SAW:
Great Wild Goose Pagoda
At all times, Great Wild
Goose Pagoda id regarded as the masterpiece excelling the Nature. Since Monk
Xuanzang fetched the sutra, the legend has been told all over the capital.
Great Wild Goose Pagoda spires loftily in the Daci'en Temple. The temple is in
the south suburb of Xi'an, the ancient capital. After Rabbi Xuanzang, the heir
arch of the Tang Dynasty, fetched the sutra from India, where Buddhism
originated, having experienced a lot of adversity and dangers, the emperor of
the Tang Dynasty welcomed him ceremoniously, and let him preside in the newly
built Daci'en Temple.
In 652 A.D. (the 3rd year of Yonghui Period), Rabbi Xuanzang presented a
memorial to the emperor to build the grand Dayan Tower for storing up the sutra.
It's the sanctum for Rabbi Xuanzang to translate and explain the sutra of
Buddhism, also the place where Number One Scholars, Jinshi and Juren of the past
dynasties superscripted, and where longhairs and artists wrote poems and drew
pictures. Poets of the Tang Dynasty, such as Dufu, Censen, baijuyi etc., all
stepped on the tower and expressed their feelings, leaving countless peaks of
the poetic perfection, especially the supernatural tales like "Xi You Ji"
(means a westward joumey) for the later generations to appreciate.
Mounting the grand Dayan Tower, looking into the distance while leaning on the
handrail, you can see the whole ancient city of too many beautiful things, which
makes you relaxed, happy and reluctant to leave.
Welcome to Great Wild Goose Pagoda and Xi'an, the ancient city.
Tomb Figures of Cavalry of the Qin Dynasty

In China, the earliest pottery tomb figures appeared in the Period of the
Warring States, but then, it was rough and relatively small with short duration.
On the contrary, the tomb figures of soldiers and horses of the Qin Dynasty are
craftworks of relatively high level because they are not only high and big, but
also finely made and nicely sculpted. The pottery tomb figures are 1.78 meters
high at the lowest, and 1.97 meters at the highest. All the pottery tomb figures
in the delves are holding weapons they used in the actual combat, facing the
east, showing that Emperor Qin never forgot to perish the 6 kingdoms and
achieved his ambition of unifying the world.
Small Wild Goose Pagoda
The Small Wild Goose Pagoda
is situated in Jianfu Temple in the south of the Xi'an City. Jianfu Temple is a
famous Buddhism temple in the Chang'an city of the Tang Dynasty. The royalty
built it in 684 (the first year of the Tang Ruizong Wenming Era) to
"Bless" (Xianfu) Gaozong Lizhi after his death. It was originally
named Xianfu Temple, and renamed as Jianfu Temple by Wu Zetian in 690 (the first
year of Wu Zetian Tianshou Era). Rabbi Yijing of Buddhism ever translated
lection and made his theory here after he fetched sutra from India by sea. He
left us a great amount of sutra books.
The Small Wild Goose Pagoda is the model of the close eave brick towers in the
early period. It was built between 707 and 709 (the Tang Zhongzong Jinglong
Era), originally with 15 floors. But it's now only 43.3 meters high because the
top of the tower had been destroyed in the great earthquake in Shaanxi in 1556.
The tower is like a plane square, the whole figure tall and straight and
beautiful. Arc doors were made with blue stone from south to north under the
tower. On its lintel and frame creep red flower grains and the map of
sustentation of God and Man (Tian ren gong yang tu) were carved finely, which is
the artistic pith of the stone inscription of the Tang Dynasty.
"Yanta Tower Morning Bell", the 8000 kilogram iron bell made in 1192
(the 3rd year of the Jin Mingchang Era), is 3.55 meters high, its edge diameter
is 2.5 meter. Since the Qing Kangxi Era, it has been regarded as one of
"Guan zhong ba jing" (the 8 sights inside the pass) for the melody of
the bell sound because the monks in the temple beat the bell according not only
to the correct time, but also to the tune.
In the Small Wild Goose Pagoda, there are still more than 10 ancient kiosks,
platforms, buildings, pavilions halls and houses. Arranged symmetrically and
regularly, they are magnificent and solemn. In the garden, there are shading
greenery, and old trees on both sides of the path. The compound is very
sequestered with exhibition rooms all over of rich culture, among which
"Folklore Room" shows in mass the ancient rich colorful folklore
culture and popular industrial arts all over Shaanxi Province (also called
Shaanxi Sanqin Dadi). You must be relaxed, happy and reluctant to leave after
you see it.
The Tomb of Emperor Qinshihuang
Emperor Qinshihuang
(259-210B.C.), Yingzheng, founded the first feudal empire in Chinese history
after annexing the 6 Kingdoms of Qi, Chu, Yan, Han, Zhao and Wei in 221B.C. He
began to have his tomb that took 38 years built once he came into power, levying
more than 700 thousand culprits. The tomb is in the east of the Lintong County.
It is 35 kilometers from the Xi'an city. As surveyed, it hasn't been robbed off.
As recorded in "Shiji" (Record of the History), there were water and
silver in the tomb to represent all the rivers and seas. With the development of
the technology, especially the archeological technology, the palace and the
treasury under the earth of the tomb will see the light again.
The Huangdi Tomb
Related as the cemetery of
Xuanyuan Huangdi, the ancestor of the Chinese people, Huangdi Tomb is situated
on the top of Mount Qiao north of county seat of Huangling. Huangdi was a great
chieftain at the end of the Chinese primeval period, also the ancestor to create
the civilization of the Chinese people. He used jade as his weapon, and made
boats, vehicles, bows and arrows. His wife, Luozu, could raise silkworms, and
his history official, Cangji, created characters his subject, Danao, created the
Ganzhi calendar, and his music official, Linglun, made music instruments.
Huangdi was also recorded in the history books for punishing the evil and
unifying the Chinese people for the first time.
Museum of Emperor Qinshihuang's Tomb Figures of
Soldiers and Horses
In March 1974, villagers of
the Xiyang Village, while welling, found by chance the delves of Emperor
Qinshihuang's Tomb Figures made up of Soldiers and Horses that were buried in
the Yanzhai Village Lintong County. They named them respectively No.1 Delve,
No.2 Delve and No.3 Delve according to the time when they were founded. The
total acreage of delves is 22,780 square meters. In the No.1 Delve, there are
210 tomb figures in military suits, arrayed as in the actual combat. In the No.2
Delve, more than 100 pottery tomb figures are unearthed, and more than 500
horses and carriages are found. And in the No.3 Delve, there are only 4 horses
and 1 carriage and 568 pottery tomb figures. Finely made and nicely sculpted,
Qinshihuang's tomb figures are high and big, and they're artworks of relatively
high level. Implements ever used in the actual combat numbered in 10 thousands
are exhibited in the delves. All kinds of them were finely made, and they're
transcendental artworks. The Museum of Emperor Qinshihuang's Tomb Figures of
Soldiers and Horses are one of the 10 most famous places in China, and are
announced as the world cultural heritage by UNESCO.
The Drum Tower
The Drum Tower is on the
northern side of the western street in the city. It was built in 1380 (the 13th
year of Ming Hongwu Era), and were rebuilt in 1699 (the 38th year of the Qing
Kangxi Era) and in 1740 (the 5th year of the Qing Qianlong Era). It's named as
the Drum Tower because of the big drum placed on the tower, which was hit at
dusk everyday for giving the correct time. The Drum Tower is altogether 33
meters high, 52.6 meters wide, covering more than 1970 square meters. The
midmost hollow are gate from the south to the north is both 6 meters in the
height and width, and it's 38 meters long from the south to the north, and 52
meters from the east to the west. The Drum Tower is a two-floor tower, and its
structure is straight up like a pole, with double eaves and Xieshan roof. The
tower is clear in arrangement because its outside eaves and flat base are all
decorated with blue green hoppers. The Drum Tower is of abundant vitality and of
grandiosity as the completion of the Bell Drum Tower Square gives more
prominence to its scene. In the new Ding Chou spring, happiness could be felt
directly as the newly produced great drum was placed in the Drum Tower. Made of
and covered by only one piece of high quality ox hide, the big drum is 1.80
meters high, and its diameter is 2.83 meters. Its weight is 1.5 tons, and the
stomach diameter is 3.43 meters. The number of the nails on it is 1996
symbolizing the year 1996, and with the added 4 copper rings, the total number
is 2000 which symbolizes the year 2000, thus urging us to win our way and go to
the 21st century. The new drum sounds sonorous and heavy, and can be heard 10 Li
away if it is beat heavily. And this drum has been recorded in the Guinness Book
of Records.
The Xi'an Circumvallation

Built between 1370 to 1378 (the Hongwu Era of the Ming Dynasty), more than
600 years ago from now, the Xi'an circumvallation of the Ming Dynasty is the
most completely reserved site of ancient circumvallation in our country. Its
perimeter is 13.7 kilometers with earthen cities on each gate of the city, on
which city towers and arrow towers were built.
The west gate is regarded as the jumping off point of the Silk Road, and in its
earthen city, there is a big sweet water well excavating in the Kangxi Era, on
which all people of the Xi'an city lived before they began to use the tap water.
In order to let the visitors know more about the history of the Xi'an city,
"Exhibition of the History of the Development of the Xi'an City" is
held chronically inside the city tower. It shows people the historic flux of
Xi'an of more than 3000 years with large numbers of pictures and characters. In
addition, temporary exhibitions are held a periodically. "Zhong jun lei gu
tai" (the platform for beating the military drum) was built beside the city
tower, including a big drum, and exhibitions of all types of archaized
instruments for defending the city.
"The Archaized Welcoming Ceremony to the Ancient City" is held inside
the earthen city of the north gate. When the visitors enter the city, ranks of
dagger holding knights in armatures will welcome them, light holding
ladies-in-waiting will blaze a way, the civilian will present the gold key of
the city and the customs declaration form. The visitors can enjoy the elegant
manners of the culture of more than 1000 years ago by hearing the beautiful
ancient music. The form of the ceremony is of very large scale, thus attracting
thousands of guests from China and foreign countries.
City towers and arrow towers at the east gate have been repaired and are
appearing new, and will be officially open by the end of this year.
The Huaqing Pond
The Huaqing Pond is situated
at the foot of Mount Li, almost 35 kilometers eastward from Xi'an City. As
recorded, "Ligong" (Palace of Li) was ever built here in Xizhou. In
747 A.D., Tang Xuanzong ordered to build palace around the mountain, and to
build cities around the palace. Huaqing Place was perished during "Anshizhiluan"
(The Rebel of An Lushan and Shi Siming). In the Qing Dynasty, Huaqing Pond was
rebuilt and based on that, today's Huaqing Pond appeared after constant
construction, covering 85560 square meters. In 1982, the site of the bathes of
the emperor of the Tang Dynasty in Huaqing Palace was found by accident, and
among them there was "Haitang bath" (Haitang is the name of a flower),
also called "Guifei Pond" (Guifei means the high-ranked imperial
concubine) which Tang Xuanzong built for his favorite wife, Yang Yuhuan. On the
Xixiu Mountain of Mount Li, the site of Fenghuotai (the platform for ignition to
tell military intelligence) of Xizhou can be seen vaguely.
The Bell Tower
The Bell Tower is situated in
the center of the Xi'an City. It was built in 1384 (the 17th year of the Ming
Hongwu Era) originally at the end of today's Guanji Street, and was moved to the
current position in 1582 (the 10th year of the Ming Wanli Era). It was ever
rebuilt in 1740 (the 5th year of the Qing Qianlong Era). In the past time, the
copper bell was hung in the tower to give the correct time at dawn, so it's
named as the Bell Tower.
Made of blue bricks, the base platform looks like a square, 8.6 meters high and
35.5 meters wide, and covers more than 1370 square meters. Its height altogether
is 36 meters from the ground to the top of the tower. It's a magnificent
construction rich in national style of classic elegance and beauty. It's totally
made of bricks and wood covered with deep green colored glaze tile, eaves and
rooms overlapping, each of the four corners has 4 peaks, hoppers, Zaojing (also
decorations), woodcarving and colored drawing are decorated at each floor. The
whole city will appear before your eyes if you climb the tower and look into the
distance.
The new bell in the ancient city Xi'an resembles the Jingyun Bell of the Tang
Dynasty, and was beat at dawn in the new Ding Chou spring, and from then this
sight have reappeared in the ancient city. The original Jingyun Bell of the Tang
Dynasty is now the state level cultural relic, it's the most famous bronze bell
in existence. Its timbre is purely beautiful, and of delicate workmanship, and
it was floridly decorated and inscribed by Tang Ruizong. Originally, it was hung
in the tower to tell the correct time. In order to use the cultural resource
fully, the Bureau of the Xi'an Cultural Relic made a bell resembling the Jingyun
Bell. Its total height is 2.45 meters, weight 6.5 tons, and the outside diameter
of the bell skirt is 1.65 meters. Besides the sculpt, grain decoration and
inscription of the new one are all the same as those of the old
Shuyuanmen
The ancient cultural street
of Shuyuanmen is situated in the south of the old district of the city. 106
meters or so away from the south circumvallation of the Ming Dynasty, its total
length is 570 meters. Shuyuanmen is famous for situating Guanzhongshuyuan, the
biggest institute of the Ming Dynasty in Shaanxi. Most of the constructions in
the whole street of Shuyuanmen have walls built with blue bricks, doors and
windows built with grilles, and sloping roofs. Full of firms and integrating all
functions of culture, tourism and commerce, this street is well-off, tidy and of
a neat touch.
The Qian Tomb
The Qian Tomb was the tomb
where Gaozong Lizhi (628-663A.D.), the third emperor of the Tang Dynasty, and Wu
Zetian (624-704A.D.), the only woman emperor in Chinese history, were buried
together. It's on the Mount Liang, 6 kilometers north of the Qian county, and 80
kilometers away from the Xi'an City. It was built in 684 A.D., and took 23
years. It not only had a magnificent appearance, but also stored many things. As
recorded in "Sushengjibei", when Tang Gaozong was dying, his last
words were to bury in tomb all the drawings and pictures he loved, so there were
all kinds of things in the tomb.
Museums
The Banpo Museum of Xi'an
The Banpo Museum of Xi'an is
the first site of prehistoric museum in China. The locus of the museum-the Banpo
site is situated on the east bank of the Chan River in the east district of the
Xi'an City, and more than 6000 years ago, it was typically the site where the
enatic tribes met in the drainage area of the Huanghe River. In 1957, the
Government of Xi'an built the museum basing on archeology and diggings, and the
museum was officially open on the 1st day of April. In 1962, the State
Department of the People's Republic of China announced that the Banpo Site a
national major unit of cultural relic that should be protected. The Banpo Site
was found in 1953, it covers almost 50,000 square meters presently, and through
archeology, 10,000 square meters was dug, it was divided into several districts
respectively for inhabitancy, ceramics and graves. What were unearthed were 46
relics of rooms, 2 folds, more than 2000 vaults, 6 relics of pottery, more than
250 graves and almost 10000 tools of manufacture and appliance of life. In
addition, there were still many artworks of colored pottery which showed the
prehistoric civilization in the drainage of the Huanghe River in muster. The
display exhibition of the Banpo Museum covers almost 4500 square meters, divided
into 3 parts, the display of the unearthed cultural relics, the hall of the site
and the auxiliary display. The display of the unearthed cultural relics is
composed of 2 exhibition rooms. They're the No.1 room and the No.2 room. In
these two rooms, many things are exhibited. There're the Banpo Site and the
manufacture implements. There are living appliances and artworks used by the
primitive people. And the hall of the site was a part of the living district of
the primitive people in Banpo. All these show the original appearance after
being found. And it covers almost 3000 square meters, including the rooms where
the former human beings lived, and the stoves, kilns and graves used and etc.
used by them. There are the No.3 and the No.4 exhibition rooms in the auxiliary
display, mainly holding some special exhibitions of ethnogeny, folklore, history
of art and palaeoanthropology related to the prehistoric culture. The
decorations on the great door of the style of the primordial villages, the stone
carving of the bailing girl of Banpo standing in the fish pool, and the 4
powerfully meaningful Chinese characters "Banpo Ruins" written by Mr.
Guo Moruo on the front of the gate, all give more sentiment to the cultural
atmosphere of the Banpo Museum, and make people have a real feeling of returning
to nature and history. And all these scenes always make many people on the
scoop. In the recent years, the museum built the Banpo village of enatic tribes
reflecting the conditions of the manufacture and life of the primitive society.
It's the organic extension of the display of the Banpo Museum for reproducing
solidly the society of the enatic tribes. It has moved the precious heritages
from under the earth to on the earth according to the materials of archeological
discoveries. The precondition of this is to protect the relics positively. The
village enriches the connotation of the museum, carries forward the
centuries-old Chinese cultural history, and gathers together the prehistoric art
in the drainage of the Huanghe River, mores and rurality. And it's praised as
"the first Chinese historical village" by visitors from China and
foreign countries for exerting the predominance of the culture, integrating the
scientific research, archeology, teaching, tourism and entertainment.
The Stele forest Museum of Xi'an
The Stele Forest Museum of
Xi'an is a museum of art mainly for storage, research and display of steles,
epitaphs and carved stone stature. It was a continuation of the ancient
construction of the Confucius Temple in Xi'an, based on the more than 900 year
old "Stele Forest of Xi'an".
The Stele Forest began to be built in 1087 (the 2nd year of the North Song
Zhezong Ere). It was maintained and expanded constantly during past dynasties of
Jin, Yuan, Ming, Qing and the Minguo period, so the stored stones were
increasing day after day. In 1961, it was listed in the first batch of major
national units of cultural relics that should be protected by the State
Department. It stores almost 3000 epitaphs and steles from the Han Dynasty till
now, 1089 of them have been exhibited. People will gasp in admiration to the
steles here which seems like a forest, for their gathering together all kinds of
styles of characters written by famous specialists: Zhuan (seal), Li, Kai
(regular script), Xing and Cao.
The Xi'an Stele Forest Museum stores voluminous artworks which possess not only
eximious value of handwriting and art, but also rich cultural connotation. So
they're praised as "the treasury of the oriental culture", "the
gathering of the art of handwriting", "the palace of the fine carved
stones of the Han Dynasty and the Tang Dynasty", and "the stack room
of the most ancient carved stones in the world". The Stele Forest has
become an important part of the world cultural treasury, and an important window
for developing the traditional culture of our motherland.
The Shaanxi Historical Museum
T he Shaanxi Historical
Museum, a large scale national modern museum 1 kilometer northwest of the Dayan
Tower, was open in June 1991, costing 144 million yuan, covering almost 70,000
square meters, 50,000 square meters of which is construction coverage. The
museum is of primitive simplicity and elegance with a unique style. In the
museum, 113 thousand unearthed fine cultural relics are stored in a 1100 square
meter exhibition room. The room is divided into 7 parts for exhibitions of the
prehistoric age, the Zhou Dynasty, the Qin Dynasty, the Han Dynasty, the Wei Jin
Nanbei Dynasties, the Sui and Tang Dynasties, the Song Yuan Ming Qing Dynasties,
and showed the history of Shaanxi from 1,150,000 years ago to 1840.
The Maoling Museum
The Maoling Museum was built
in front of the tomb of Huo Qubing. 16 good-sized carved stones originally
placed in front of the tomb of Huo and the precious cultural relics unearthed
near Maoling in the recent years are exhibited there. Famous at home and abroad,
these good-sized carved stone of the West Han Dynasty is the earliest big
ancient ones in-group that are preserved in our country.